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Darrell Katz & The JCA Orchestra - 2014 - Why Do You Ride? (FLAC, Leo 711)

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Music : Jazz : Lossless
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Leo Records CD LR 711.

1 The JCA Orchestra	Why Do You Ride?	13:34

Wheelworks:
Things That Albert Einstein Did And Didn't Say	
2 The JCA Orchestra	I - Any Intelligent Fool	2:15
3 The
JCA Orchestra	II - What Did Albert Einstein Say?	2:46
4 The JCA Orchestra	III - Riding A Bicycle	5:45
5 The
JCA Orchestra	IV - Under The Cloak Of War	3:49
6 The JCA Orchestra	V - Sticks And Stones	6:29
7 The JCA
Orchestra	VI - The Mysterious	5:04
8 The JCA Orchestra	VII - We Are The Dancers	4:02
9 The JCA Orchestra	VIII
- A Better Teacher	11:30
10 The JCA Orchestra	SamiBadGal	10:19

11 JCA Sax Quartet	Monk's Mood
7:00

Alan Chase, Jim Hobbs: alto saxophones
Dan Zupan: baritone saxophone, bass
clarinet
John Funkhauser: bass
Hiro Honshuke: flute, electronic wind instrument
Jim
Mosher: french horn
Norm Zocher: guitar
Darrell Katz: guitar, composer
Ryan
Edwards: percussion
Mina Cho: piano
Phil Scarff: tenor & sopranino saxophones,
clarinet
Bob Pilkington, David Harris: trombones
Forbes Graham, Gary Bohan,
Mike Pelpman: trumpets
Bill Lowe: tuba
Joe Doubleday: vibraphone
Rebecca
Shrimpton: voice

Why Do You Ride?, a sweeping, poly-stylistic orchestral paean to bicycling, Albert
Einstein, a certain orange kitty cat, and wrongly-attributed quotes (among other diverse topics) is the 10th album by
Darrell Katz and his Jazz Composers' Alliance (JCA) Orchestra, which is also celebrating its 30th year of
existence. Unlike most jazz artists of his generation, Katz—an excellent guitarist and long-time faculty member
at Boston's Berklee School of Music—has resolutely stuck with the big band as his primary means of musical
expression. Perhaps that's why his music remains outside of the mainstream in its own quirky and individualistic
way. 
As with Katz' previous recordings, Why Do You Ride? has a somewhat academic, 'studied' feel to
it. The musicianship is polished and damn near perfect, but not stiff or stilted. The pliable, articulate rhythm
section—especially drummer Luther Gray—and the strategic presence of masterful, always-on soloists such as
Bill Lowe, Allen Chase and Jim Hobbs keep the music loose and flowing. Lesser-known players such as vibraphonist Joe
Doubleday, guitarist Norm Zocher and pianist Mina Cho also make good use of their relatively brief time in the
improvisational spotlight. 
Katz' compositions are a melting pot of diverse styles and cross-references;
avant-garde classical machinations rub shoulders with passages of funky fusion, swinging Stan Kenton-esque "big
band" moves, Globe Unity Orchestra- styled freakouts, and the sweetly unadorned vocal stylings of Rebecca
Shrimpton. In fact, Shrimpton all but steals the show throughout Why Do You Ride?, effortlessly transforming seemingly
un-singable texts and apocryphal quotes into warmly convincing jazz vocals. 
Reading this review, one may get the
sense that Katz' music may be too eclectic for its own good. That is not the case. Why Do You Ride? hangs together
really nicely, unified both by Shrimpton's voice and Katz' unique qualities as a composer / arranger. Even the
texts—at first glance a motley collection of mis- attributed, apocryphal, and some quite possibly real statements
that Albert Einstein may or may not have spoken—have a cogent narrative flow. They also reveal Katz' dry,
pithy sense of humor. While fans of traditional big band jazz may be perplexed or put off by the stylistic diversity of
Why Do You Ride?, its varied textures and continually shifting stylistic approach may well please those more attuned to
the post-modern sounds of contemporary jazz usually played by much smaller bands. - Dave Wayne, All About Jazz  
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